​In Jesse Eisenberg’s recently opened comedy “Happy Talk,” suburban New Jersey do-gooder Lorraine (Susan Sarandon) tackles a new role—that of matchmaker—in both her life and her art.  Fretting about her recalcitrant daughter and contending with a disabled husband and aged mother, Lorraine certainly needs a respite, and gets it when she is cast as Bloody Mary—the Pacific Islander woman and singer of “Happy Talk” —who brings her lovely daughter together with a romantic American naval lieutenant in her community theater’s production of the World War II musical “South Pacific.”  And then, as if she doesn’t have enough on her plate, her mother’s Serbian health aide, Ljuba, asks Lorraine’s help in finding her a suitable husband. 
​
In this play, award-winning dramatist, writer and movie star Eisenberg reveals the myriad attitudes of the affluent, as well as those who are paid to serve their needs, and the lengths the privileged will go to assuage their guilt. The show is being performed by The New Group at its theater on 480 West 42nd Street through June 16th.
​

Matchmaking is still alive and well at Jerusalem’s Bezalel Academy of Art, founded by early 20th century European artists and craftsmen who settled in Israel, is still associated with the stunning Art Nouveau objects created by its faculty and students more than a century ago. Lately, artisans and designers have been reaching out to forge exciting partnerships with international companies, including iconic Danish toymaker LEGO and Ferrero, the Italian maker of Kinder Surprise, a chocolate and cream egg with a bonus, an often- kinetic trinket housed in its center. Taking several years to develop a concept and then to produce protypes and trials, the LEGO collaboration was the inspiration of former Bezalel student Yoel Mazor, a long-time LEGO fan. They yielded some especially successful results, which have not yet made their debut.
​
Consumers of Kinder Eggs, typically children younger than 8, need toys with simple parts that do not present a choking hazard. The Bezalel models, constructed by students enrolled in the toy design class of Professor Yaron Loubaton, were tested out on the kids who lived in his kibbutz. Several of them—like the LEGOs, still top-secret — scored a hit, and, it is thought, will also delight the many adults who enjoy eating the candy as well as putting together and playing with the toys, which have become highly collectible items in the years since Kinder Eggs’ “hatching” in 1974.  (Wikipedia states that 30 billion of them have been sold during that time.)

​Speaking of good things to eat, congratulations to Philadelphia’s Zahav (Gold), the recent winner of the James Beard Award for outstanding American restaurant, a prize considered the Oscar of the food world. Opened in 2008 by chef and previous Beard Award recipient Michael Solomonov, Zahav, whose name references Jerusalem as a city of gold, maintains its mission of “bringing the authentic flavors of Israel’s cultural heritage” to patrons. Specializing in grilled meats, small plates and a large list of Israeli wines, the restaurant is especially known for its varieties of hummus, paired with an array of delicious breads baked by Chef Solomonov.  

​Nothing drinkable remains in the creations of Beth Lipman, a maker of impressive, and often haunting, glass and mixed media objects and installations, who is slated for a 2020 retrospective at New York City’s Museum of Art and Design on 59th Street.  Visitors to the Jewish Museum, among numerous other institutions like Florida’s Norton and Ringling Museums where her works are included in their permanent collections, have stopped to spend a good amount of time experiencing the ghostly, dreamlike 2012 commission “Laid Table with Etrog Container and Pastry Molds.” While some critics have channeled the inner raucousness of her art—they write about sharp, fragmented shards of containers and glassware, smashed during an out-of-control party or even a bacchanal—others have been struck by their evocation of sustained silence, and the palpable absence of imagined imbibers, their bodies symbolized by the broken, un-mendable vessels—now forever cut off from drunken exuberance, and from every other pleasure.

As the 48-year-old Pennsylvania-born artist, the daughter of a craftsperson, has written: “The hand-sculpted glass compositions are portraits of individuals and our society through inanimate objects.  Every object created, whether broken, ‘flawed’ or ‘perfect,’ is incorporated into the final composition, literally capturing a moment in time.  The process of creating defines the final composition.”

Venezuela, once Latin America’s richest nation, is today a devastated country. Its democratic system has been destroyed as a result of years of authoritarian rule and government corruption. Political opponents are persecuted and jailed and there is no free press. The economic mismanagement has sparked shortages of food, medicines and the most basic supplies, with a resulting humanitarian crisis of unprecedented proportions. There is also a severe energy crisis and galloping inflation. And the number of pople leaving the country to escape their desperate situation is alarming.

Nicolas Maduro’s permanence in power is deemed illegitimate by most of the world’s democratic nations, as his re-election in May 2018 was clearly perceived as fraudulent. And at least 54 nations have recognized Juan Guaidó, the president of the opposition-controlled National Assembly, as Venezuela’s acting president.

But, despite all this, Maduro is still clinging to power. While many analysts, especially in Latin America, believe that the United States intends to remove Maduro from power by force, the truth is that, despite its strong statements, the U.S. government does not seem to have any appetite to enter into a military conflict in Latin America. And the same can be said of the governments of the region, even when some of them are disproportionately shouldering the burden of Venezuela's refugee crisis, as is the case of Brazil and Colombia.

There are two diplomatic initiatives today that are trying to find a peaceful solution to Venezuela’s catastrophic situation. The first one is conducted by the so-called International Contact Group on Venezuela (composed of envoys of the European Union: Spain, France, Italy, Germany, Great Britain, Sweden, the Netherlands and Portugal, plus Uruguay, Costa Rica, Ecuador and Bolivia). This group is trying to reach a negotiated solution between the government and the opposition in Caracas.

The second initiative is an attempt by the Norwegian government to mediate the crisis. Several meetings were held recently between representatives of the Maduro regime and members of the opposition in Oslo. They were supposed to be secret but were apparently leaked by people close to Maduro. So far, none of these initiatives have yielded any results.

Even though it would be highly desirable for Maduro to agree to leave power and call for free and democratic elections through peaceful dialogue, the truth is that all the previous attempts to find a negotiated solution to the crisis that were held so far (including the one promoted by the Vatican in 2016) have failed. This is so because the regime has used these conversations to gain time, divide and weaken the opposition, and secure its permanence in power. Maduro's main interest in welcoming the current diplomatic initiatives is probably to improve his international image and curb the economic sanctions that have been imposed against his regime.
​
Given this background, it was a mistake for the contact group to publicly state that peaceful negotiations are "the only possible solution" to the Venezuelan crisis (clearly ruling out the possibility of a foreign intervention). The only way for any of these diplomatic initiatives to have a chance is for a credible threat of military intervention to be on the table. Otherwise, as in the past, these talks will only serve to extend the suffering of the population and the growing deterioration of the country.

Lists of names, sorted by country of origin. Columns that provide ages and places of birth and death.  Last names listed alphabetically, first names that you can find on a typical Hebrew school roster. Entire families follow, line by line. A grandparent, Mark, age 75; his child, Emanuel, age 40; and then the grandchild, Benjamin, age 7.  An entire family, murdered by the Nazis.

These names became a program with the goal of remembering the victims of the Holocaust by reading their names aloud and in public spaces.  This is the tribute to the six million Jews, one and a half million of them children, who were murdered. As the names of victims are read aloud, they are remembered.  For many on these lists, it is the only time their name will be said aloud, as their entire family was murdered or there is no one left to remember them.

The program was inspired by the poem “Unto Every Person There is a Name” by Zelda, which begins “Unto Every Person there is a Name bestowed upon him by God and given him by his father and mother”. The program is held each year on Yom Hashoah, which is observed on the 27th of Nissan. The date was chosen by the Israeli Knesset to serve as Holocaust Remembrance Day.  This year, the commemoration will be on May 2nd.

The program was created to remind us that the victims were not just a number. Every individual had a name. They loved, worked and enjoyed their lives until they were murdered by the Nazis.

How do we remember each year? How do you bring more information to the participants who are part of the remembrance ceremonies? As survivors are passing away, the second and third generations of their descendants have committed themselves to bear witness. It is up to the Jewish community to support them in this task. B’nai B’rith became the North American coordinator of this program in 1989 and has brought the program to the community and campus for 30 years. Those who participate share stories of their experiences. Dignitaries and schoolchildren from public and parochial schools attend as readers.  Passersby stop to listen and then ask if they can read as well.  The readings take place in public places such as parks, in front of Holocaust monuments, the US Capitol (before 9/11), courthouse steps and shopping malls.  It has also been held in cooperation with community events with synagogues, JCCs and Holocaust museums. 

I remember when Congressman Jerome Nadler came to the District One ceremony in New York City in 1994. The program chair that year, Charles Friedman, president of the Leo Baeck Unit, shared a story about his family’s experiences during Kristallnacht. At another ceremony, B’nai B’rith leader Margarete Goldberger, who was saved as a child by the Kindertransport, was randomly given a list to read that included the name of a school friend in Germany who had not been able to flee the country in time. There are many memories that span the program’s 30-year history.  Please share your own experiences at a program with us so that we can include these personal stories in our commemorations.

Names are also read on campus in conjunction with our partner, the Alpha Epsilon Pi Fraternity. This year, over 130 campus programs were scheduled on campuses as part of their “We Walk to Remember” program. The brothers of AEPi wore stickers that said “Never Forget” and passed out information about the Holocaust as they walked silently through their campus. They proudly recognize their duty to be part of the remembrance, and we are grateful for their commitment to make this a part of their campus activity. 

An international committee convened in Israel develops a theme and includes readings that relate to the topic.  Alan Schneider, director of the B’nai B’rith World Center-Jerusalem, represents B’nai B’rith on this committee. The program is also under the auspices of the of President of Israel Reuven Rivlin, who sends a message of thanks to the communities that take on this important activity. This year, the theme is “The War Within the War:  The Struggle of the Jews to Survive during the Holocaust”. 

The names are available via a database.  In many communities, the printed pages become part of an “Unto Every Person There is a Name” binder and are saved from year to year, as the lists take on a special significance to those who gather to remember them.  Treated as a sacred object, the pages are brought out for special commemorations.

There is an ongoing project to collect as many names as can be found as part of the “Pages of Testimony Project”.  In accordance with the Yad Vashem Law passed by the Israeli Knesset in 1953, Yad Vashem established a Hall of Names and maintains a database of information about victims of the Holocaust.  To date, there have been 4.8 million names of Shoah victims documented in the Central Database of Shoah Victims.
​
B’nai B’rith International is grateful to Kurt and Tessye Simon (of blessed memory) for their support of the Unto programming. You can find information about the Unto Every Person There is a Name program at this link: http://www.bnaibrith.org/unto-every-person.html.