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As we experience the trajectory of anti-Semitism in history and during one’s own life, it’s natural to feel hopeless. Hate will endure, but it’s still possible to celebrate and enjoy the efforts made to acknowledge the legacy of the Jewish people, as well as to take pride in the end result: contributions that improved life for all.

The city of Goerlitz in Saxony, a part of East Germany after World War II, had a Jewish population between 600 and 700 in 1888, when its B’nai B’rith Victoria Lodge first met. Fewer Jews were living there when a new synagogue opened in 1911. Adopted from the basilica plan, the structure was far from standard, boasting attractive modern additions. Contributing to its unique visual interest was a centrally located structure containing a space which congregants used. Its tiled, domed roof had been topped with a Star of David mounted on a pole. A then-cutting-edge feature of the building was the Art Nouveau and Secessionist elements applied to the exterior and places in the sanctuary. Yet, even in 1911, few of the assimilated Goerlitz Jews worshiped there.

Only 300 Jews remained in Goerlitz when the Nazis set the synagogue ablaze on Kristallnacht, Nov. 9, 1938. Thanks to the local firemen who disobeyed orders and extinguished the fire, it was the only synagogue in Saxony to survive. Farm animals roamed the damaged structure for years after the war, but eventually the East German government repurposed the space for public events. Genuine preservation efforts only began after the 1991 reunification. Now, thanks to efforts by Goerlitz’s 30-member Jewish community, its Christian groups and civic associations, the synagogue has been brought back to life. Known as the Cultural Forum Synagogue Goerlitz, it’s intended for both worship and performing arts, and its July 2021 opening was celebrated with a stellar concert, attended by German political leaders, clergy and other notables. Speakers included the prime minister of Saxony, Rabbi Akiva Weingarten of Dresden and the Mayor of Goerlitz.

Millions of euros for the 30-year project came from government grants, foundations and several anonymous philanthropists. Alex Jacobowitz, a cantor and president of the Goerlitz Jewish community, will pay to re-enforce the domed roof to support the Star of David. Parts of the synagogue, including the Exodus verse formerly inscribed on the lintel over the entryway—“And let them make Me a sanctuary, that I may dwell among them”—intentionally remain in disrepair to evoke Kristallnacht. Jacobowitz, the historian of the Goerlitz Synagogue, has observed: “I have always found it important that the synagogue has continued to show its scars …”

As much as London was pivotal to the history of Zionism for its important Jewish leaders and as the location of the signing of the Balfour Declaration, the city of Manchester is even more connected with the genesis and the fruition of this important event. In the years before World War I, Zionist leader and German émigré Chaim Weizmann, teaching at Manchester University, served as the first president of the city’s constantly growing B’nai B’rith lodge. Its members—both emigres that had come to join him, and wealthy and influential merchants and manufacturers native to this industrial city—were all supporters of Weizman’s mission, the creation of a Jewish homeland. More than any other Jewish leader in England, it was his efforts that culminated in the signing of the Balfour Declaration in 1917.

Although Manchester’s reputation as a working-class city held true for many decades, gentrification has been impacting its changing neighborhoods. Dating to 1874, its oldest synagogue, located in a warehouse enclave, served as the Manchester Jewish Museum.

Funded by a two-year Capital Development Project, the synagogue/museum was restored and the museum space was expanded into a newly constructed adjacent building, highlighted by an attractive exterior fabricated in weather resistant, patinated steel. The eight-pointed star motifs punched into the façade, intended to welcome people of all backgrounds into the museum, also serve to emanate shafts of light from the museum’s interior. Its weathered, shed-like appearance harmonizes with neighboring warehouse buildings.

In addition to revamped exhibits and innovative spaces including a kitchen for interactive cuisine demonstrations, the museum has partnered with the 2021 Manchester International Festival to commission Turner Prize-winning British artist Laure Prouvost’s “The long waited, weighted gathering,” a site-specific installation fusing video, sound, and fine and decorative arts together with found objects from the synagogue and textiles woven by Manchester’s women congregants, which can be viewed this summer in the women’s gallery. Prouvost wanted her vision to meld to “the beautiful textures and architecture, to the history of this amazing place. I was inspired by the ideas of ceremonies and rituals that we bring from histories.”

Cheryl Kempler is an art and music specialist who works in the B’nai B’rith International Curatorial Office and writes about history and Jewish culture for B’nai B’rith Magazine. To view some of her additional content, click here.